The Lost Stradivarius Read online

  CHAPTER IV

  When his servant called him about eight o'clock my brother sent a note to Mr. Gaskell at New College, begging him to come round to Magdalen Hall as soon as might be in the course of the morning. His summons was at once obeyed, and Mr. Gaskell was with him before he had finished breakfast. My brother was still much agitated, and at once told him what had happened the night before, detailing the various circumstances with minuteness, and not even concealing from him the sentiments which he entertained towards Miss Constance Temple. In narrating the appearance which he had seen in the chair, his agitation was still so excessive that he had difficulty in controlling his voice.

  Mr. Gaskell heard him with much attention, and did not at once reply when John had finished his narration. At length he said, "I suppose many friends would think it right to affect, even if they did not feel, an incredulity as to what you have just told me. They might consider it more prudent to attempt to allay your distress by persuading you that what you have seen has no objective reality, but is merely the phantasm of an excited imagination; that if you had not been in love, had not sat up all night, and had not thus overtaxed your physical powers, you would have seen no vision. I shall not argue thus, for I am as certainly convinced as of the fact that we sit here, that on all the nights when we have played this suite called the 'Areopagita,' there has been some one listening to us, and that you have at length been fortunate or unfortunate enough to see him."

  "Do not say fortunate," said my brother; "for I feel as though I shall never recover from last night's shock."

  "That is likely enough," Mr. Gaskell answered, coolly; "for as in the history of the race or individual, increased culture and a finer mental susceptibility necessarily impair the brute courage and powers of endurance which we note in savages, so any supernatural vision such as you have seen must be purchased at the cost of physical reaction. From the first evening that we played this music, and heard the noises mimicking so closely the sitting down and rising up of some person, I have felt convinced that causes other than those which we usually call natural were at work, and that we were very near the manifestation of some extraordinary phenomenon."

  "I do not quite apprehend your meaning."

  "I mean this," he continued, "that this man or spirit of a man has been sitting here night after night, and that we have not been able to see him, because our minds are dull and obtuse. Last night the elevating force of a strong passion, such as that which you have confided to me, combined with the power of fine music, so exalted your mind that you became endowed, as it were, with a sixth sense, and suddenly were enabled to see that which had previously been invisible. To this sixth sense music gives, I believe, the key. We are at present only on the threshold of such a knowledge of that art as will enable us to use it eventually as the greatest of all humanising and educational agents. Music will prove a ladder to the loftier regions of thought; indeed I have long found for myself that I cannot attain to the highest range of my intellectual power except when hearing good music. All poets, and most writers of prose, will say that their thought is never so exalted, their sense of beauty and proportion never so just, as when they are listening either to the artificial music made by man, or to some of the grander tones of nature, such as the roar of a western ocean, or the sighing of wind in a clump of firs. Though I have often felt on such occasions on the very verge of some high mental discovery, and though a hand has been stretched forward as it were to rend the veil, yet it has never been vouchsafed me to see behind it. This you no doubt were allowed in a measure to do last night. You probably played the music with a deeper intuition than usual, and this, combined with the excitement under which you were already labouring, raised you for a moment to the required pitch of mental exaltation."

  "It is true," John said, "that I never felt the melody so deeply as when I played it last night."

  "Just so," answered his friend; "and there is probably some link between this air and the history of the man whom you saw last night; some fatal power in it which enables it to exert an attraction on him even after death. For we must remember that the influence of music, though always powerful, is not always for good. We can scarcely doubt that as certain forms of music tend to raise us above the sensuality of the animal, or the more degrading passion of material gain, and to transport us into the ether of higher thought, so other forms are directly calculated to awaken in us luxurious emotions, and to whet those sensual appetites which it is the business of a philosopher not indeed to annihilate or to be ashamed of, but to keep rigidly in check. This possibility of music to effect evil as well as good I have seen recognised, and very aptly expressed in some beautiful verses by Mr. Keble which I have just read —

  "'Cease, stranger, cease those witching notes,

  The art of syren choirs;

  Hush the seductive voice that floats

  Across the trembling wires.

  "'Music's ethereal power was given

  Not to dissolve our clay,

  But draw Promethean beams from heaven

  To purge the dross away.'"

  "They are fine lines," said my brother, "but I do not see how you apply your argument to the present instance."

  "I mean," Mr. Gaskell answered, "that I have little doubt that the melody of this Gagliarda has been connected in some manner with the life of the man you saw last night. It is not unlikely, either, that it was a favourite air of his whilst in the flesh, or even that it was played by himself or others at the moment of some crisis in his history. It is possible that such connection may be due merely to the innocent pleasure the melody gave him in life; but the nature of the music itself, and a peculiar effect it has upon my own thoughts, induce me to believe that it was associated with some occasion when he either fell into great sin or when some evil fate, perhaps even death itself, overtook him. You will remember I have told you that this air calls up to my mind a certain scene of Italian revelry in which an Englishman takes part. It is true that I have never been able to fix his features in my mind, nor even to say exactly how he was dressed. Yet now some instinct tells me that it is this very man whom you saw last night. It is not for us to attempt to pierce the mystery which veils from our eyes the secrets of an after-death existence; but I can scarcely suppose that a spirit entirely at rest would feel so deeply the power of a certain melody as to be called back by it to his old haunts like a dog by his master's whistle. It is more probable that there is some evil history connected with the matter, and this, I think, we ought to consider if it be possible to unravel."

  My brother assenting, he continued, "When this man left you, Johnnie, did he walk to the door?"

  "No; he made for the side wall, and when he reached the end of the bookcase I lost sight of him."

  Mr. Gaskell went to the bookcase and looked for a moment at the titles of the books, as though expecting to see something in them to assist his inquiries; but finding apparently no clue, he said—

  "This is the last time we shall meet for three months or more; let us play the Gagliarda and see if there be any response."

  My brother at first would not hear of this, showing a lively dread of challenging any reappearance of the figure he had seen: indeed he felt that such an event would probably fling him into a state of serious physical disorder. Mr. Gaskell, however, continued to press him, assuring him that the fact of his now being no longer alone should largely allay any fear on his part, and urging that this would be the last opportunity they would have of playing together for some months.

  At last, being overborne, my brother took his violin, and Mr. Gaskell seated himself at the pianoforte. John was very agitated, and as he commenced the Gagliarda his hands trembled so that he could scarcely play the air. Mr. Gaskell also exhibited some nervousness, not performing with his customary correctness. But for the first time the charm failed: no noise accompanied the music, nor did anything of an unusual character occur. They repeated the whole suite, but with a similar result.

  Both were surpri
sed, but neither, had any explanation to offer. My brother, who at first dreaded intensely a repetition of the vision, was now almost disappointed that nothing had occurred; so quickly does the mood of man change.

  After some further conversation the young men parted for the Long Vacation — John returning to Worth Maltravers and Mr. Gaskell going to London, where he was to pass a few days before he proceeded to his home in Westmorland.

  CHAPTER V

  John spent nearly the whole of this summer vacation at Worth Maltravers. He had been anxious to pay a visit to Royston; but the continued and serious illness of Mrs. Temple's sister had called her and Constance to Scotland, where they remained until the death of their relative allowed them to return to Derbyshire in the late autumn. John and I had been brought up together from childhood. When he was at Eton we had always spent the holidays at Worth, and after my dear mother's death, when we were left quite alone, the bonds of our love were naturally drawn still closer. Even after my brother went to Oxford, at a time when most young men are anxious to enjoy a new-found liberty, and to travel or to visit friends in their vacation, John's ardent affection for me and for Worth Maltravers kept him at home; and he was pleased on most occasions to make me the partner of his thoughts and of his pleasures. This long vacation of 1842 was, I think, the happiest of our lives. In my case I know it was so, and I think it was happy also for him; for none could guess that the small cloud seen in the distance like a man's hand was afterwards to rise and darken all his later days. It was a summer of brilliant and continued sunshine; many of the old people said that they could never recollect so fine a season, and both fruit and crops were alike abundant. John hired a small cutter-yacht, the Palestine, which he kept in our little harbour of Encombe, and in which he and I made many excursions, visiting Weymouth, Lyme Regis, and other places of interest on the south coast.

  In this summer my brother confided to me two secrets, — his love for Constance Temple, which indeed was after all no secret, and the history of the apparition which he had seen. This last filled me with inexpressible dread and distress. It seemed cruel and unnatural that any influence so dark and mysterious should thus intrude on our bright life, and from the first I had an impression which I could not entirely shake off, that any such appearance or converse of a disembodied spirit must portend misfortune, if not worse, to him who saw or heard it. It never occurred to me to combat or to doubt the reality of the vision; he believed that he had seen it, and his conviction was enough to convince me. He had meant, he said, to tell no one, and had given a promise to Mr. Gaskell to that effect; but I think that he could not bear to keep such a matter in his own breast, and within the first week of his return he made me his confidant. I remember, my dear Edward, the look everything wore on that sad night when he first told me what afterwards proved so terrible a secret. We had dined quite alone, and he had been moody and depressed all the evening. It was a chilly night, with some fret blowing up from the sea. The moon showed that blunted and deformed appearance which she assumes a day or two past the full, and the moisture in the air encircled her with a stormy-looking halo. We had stepped out of the dining-room windows on to the little terrace looking down towards Smedmore and Encombe. The glaucous shrubs that grow in between the balusters were wet and dripping with the salt breath of the sea, and we could hear the waves coming into the cove from the west. After standing a minute I felt chill, and proposed that we should go back to the billiard-room, where a fire was lit on all except the warmest nights. "No," John said, "I want to tell you something, Sophy," and then we walked on to the old boat summer-house. There he told me everything. I cannot describe to you my feelings of anguish and horror when he told me of the appearance of the man. The interest of the tale was so absorbing to me that I took no note of time, nor of the cold night air, and it was only when it was all finished that I felt how deadly chill it had become. "Let us go in, John," I said; "I am cold and feel benumbed."

  But youth is hopeful and strong, and in another week the impression had faded from our minds, and we were enjoying the full glory of midsummer weather, which I think only those know who have watched the blue sea come rippling in at the foot of the white chalk cliffs of Dorset.

  I had felt a reluctance even so much as to hear the air of the Gagliarda, and though he had spoken to me of the subject on more than one occasion, my brother had never offered to play it to me. I knew that he had the copy of Graziani's suites with him at Worth Maltravers, because he had told me that he had brought it from Oxford; but I had never seen the book, and fancied that he kept it intentionally locked up. He did not, however, neglect the violin, and during the summer mornings, as I sat reading or working on the terrace, I often heard him playing to himself in the library. Though he had never even given me any description of the melody of the Gagliarda, yet I felt certain that he not infrequently played it. I cannot say how it was; but from the moment that I heard him one morning in the library performing an air set in a curiously low key, it forced itself upon my attention, and I knew, as it were by instinct, that it must be the Gagliarda of the "Areopagita." He was using a sordino and playing it very softly; but I was not mistaken. One wet afternoon in October, only a week before the time of his leaving us to return to Oxford for the autumn term, he walked into the drawing-room where I was sitting, and proposed that we should play some music together. To this I readily agreed. Though but a mediocre performer, I have always taken much pleasure in the use of the pianoforte, and esteemed it an honour whenever he asked me to play with him, since my powers as a musician were so very much inferior to his. After we had played several pieces, he took up an oblong music-book bound in white vellum, placed it upon the desk of the pianoforte, and proposed that we should play a suite by Graziani. I knew that he meant the "Areopagita," and begged him at once not to ask me to play it. He rallied me lightly on my fears, and said it would much please him to play it, as he had not heard the pianoforte part since he had left Oxford three months ago. I saw that he was eager to perform it, and being loath to disoblige so kind a brother during the last week of his stay at home, I at length overcame my scruples and set out to play it. But I was so alarmed at the possibility of any evil consequences ensuing, that when we commenced the Gagliarda I could scarcely find my notes. Nothing in any way unusual, however, occurred; and being reassured by this, and feeling an irresistible charm in the music, I finished the suite with more appearance of ease. My brother, however, was, I fear, not satisfied with my performance, and compared it, very possibly, with that of Mr. Gaskell, to which it was necessarily much inferior, both through weakness of execution and from my insufficient knowledge of the principles of the basso continuo. We stopped playing, and John stood looking out of the window across the sea, where the sky was clearing low down under the clouds. The sun went down behind Portland in a fiery glow which cheered us after a long day's rain. I had taken the copy of Graziani's suites off the desk, and was holding it on my lap turning over the old foxed and yellow pages. As I closed it a streak of evening sunlight fell across the room and lighted up a coat of arms stamped in gilt on the cover. It was much faded and would ordinarily have been hard to make out; but the ray of strong light illumined it, and in an instant I recognised the same shield which Mr. Gaskell had pictured to himself as hanging on the musicians' gallery of his phantasmal dancing-room. My brother had often recounted to me this effort of his friend's imagination, and here I saw before me the same florid foreign blazon, a cherub's head blowing on three lilies on a gold field. This discovery was not only of interest, but afforded me much actual relief; for it accounted rationally for at least one item of the strange story. Mr. Gaskell had no doubt noticed at some time this shield stamped on the outside of the book, and bearing the impression of it unconsciously in his mind, had reproduced it in his imagined revels. I said as much to my brother, and he was greatly interested, and after examining the shield agreed that this was certainly a probable solution of that part of the mystery. On the 12th of October John returned to Oxf
ord.

  CHAPTER VI

  My brother told me afterwards that more than once during the summer vacation he had seriously considered with himself the propriety of changing his rooms at Magdalen Hall. He had thought that it might thus be possible for him to get rid at once of the memory of the apparition, and of the fear of any reappearance of it. He could either have moved into another set of rooms in the Hall itself, or else gone into lodgings in the town — a usual proceeding, I am told, for gentlemen near the end of their course at Oxford. Would to God that he had indeed done so! but with the supineness which has, I fear, my dear Edward, been too frequently a characteristic of our family, he shrank from the trouble such a course would involve, and the opening of the autumn term found him still in his old rooms. You will forgive me for entering here on a very brief description of your father's sitting-room. It is, I think, necessary for the proper understanding of the incidents that follow. It was not a large room, though probably the finest in the small buildings of Magdalen Hall, and panelled from floor to ceiling with oak which successive generations had obscured by numerous coats of paint. On one side were two windows having an aspect on to New College Lane, and fitted with deep cushioned seats in the recesses. Outside these windows there were boxes of flowers, the brightness of which formed in the summer term a pretty contrast to the grey and crumbling stone, and afforded pleasure at once to the inmate and to passers-by. Along nearly the whole length of the wall opposite to the windows, some tenant in years long past had had mahogany book-shelves placed, reaching to a height of perhaps five feet from the floor. They were handsomely made in the style of the eighteenth century and pleased my brother's taste. He had always exhibited a partiality for books, and the fine library at Worth Maltravers had no doubt contributed to foster his tastes in that direction. At the time of which I write he had formed a small collection for himself at Oxford, paying particular attention to the bindings, and acquiring many excellent specimens of that art, principally I think, from Messrs. Payne & Foss, the celebrated London booksellers.