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The Lost Stradivarius Page 9


  We both ran to her; but while we were attempting to assuage her grief, John shut his violin into its case, took the music-book under his arm, and left the room without saying a word to any of us, not even to the weeping girl, whose sobs seemed as though they would break her heart.

  We got her put to bed at once, but it was some hours before her convulsive sobbing ceased. Mrs. Temple had administered to her a soothing draught of proved efficacy, and after sitting with her till after one o'clock, I left her at last dozing off to sleep, and myself sought repose. I was quite wearied out with the weight of my anxiety, and with the crushing bitterness of seeing my dearest Constance's feelings so wounded. Yet in spite, or rather perhaps on account of my trouble, my head had scarcely touched my pillow ere I fell into a deep sleep.

  A room in the south wing had been converted for the nonce into a nursery, and for the convenience of being near her infant Constance now slept in a room adjoining. As this portion of the house was somewhat isolated, Mrs. Temple had suggested that I should keep her daughter company, and occupy a room in the same passage, only removed a few doors, and this I had accordingly done. I was aroused from my sleep that night by some one knocking gently on the door of my bedroom; but it was some seconds before my thoughts became sufficiently awake to allow me to remember where I was. There was some moonlight, but I lighted a candle, and looking at my watch saw that it was two o'clock. I concluded that either Constance or her baby was unwell, and that the nurse needed my assistance. So I left my bed, and moving to the door, asked softly who was there. It was, to my surprise, the voice of Constance that replied, "O Sophy, let me in."

  In a second I had opened the door, and found my poor sister wearing only her night-dress, and standing in the moonlight before me.

  She looked frightened and unusually pale in her white dress and with the cold gleam of the moon upon her. At first I thought she was walking in her sleep, and perhaps rehearsing again in her dreams the troubles which dogged her waking footsteps. I took her gently by the arm, saying, "Dearest Constance, come back at once to bed; you will take cold."

  She was not asleep, however, but made a motion of silence, and said in a terrified whisper, "Hush; do you hear nothing?" There was something so vague and yet so mysterious in the question and in her evident perturbation that I was infected too by her alarm. I felt myself shiver, as I strained my ear to catch if possible the slightest sound. But a complete silence pervaded everything: I could hear nothing.

  "Can you hear it?" she said again. All sorts of images of ill presented themselves to my imagination: I thought the baby must be ill with croup, and that she was listening for some stertorous breath of anguish; and then the dread came over me that perhaps her sorrows had been too much for her, and that reason had left her seat. At that thought the marrow froze in my bones.

  "Hush," she said again; and just at that moment, as I strained my ears, I thought I caught upon the sleeping air a distant and very faint murmur.

  "Oh, what is it, Constance?" I said. "You will drive me mad;" and while I spoke the murmur seemed to resolve itself into the vibration, felt almost rather than heard, of some distant musical instrument. I stepped past her into the passage. All was deadly still, but I could perceive that music was being played somewhere far away; and almost at the same minute my ears recognised faintly but unmistakably the Gagliarda of the "Areopagita."

  I have already mentioned that for some reason which I can scarcely explain, this melody was very repugnant to me. It seemed associated in some strange and intimate way with my brother's indisposition and moral decline. Almost at the moment that I had heard it first two years ago, peace seemed to have risen up and left our house, gathering her skirts about her, as we read that the angels left the Temple at the siege of Jerusalem. And now it was even more detestable to my ears, recalling as it did too vividly the cruel events of the preceding evening.

  "John must be sitting up playing," I said.

  "Yes," she answered; "but why is he in this part of the house, and why does he always play that tune?"

  It was if some irresistible attraction drew us towards the music. Constance took my hand in hers and we moved together slowly down the passage. The wind had risen, and though there was a bright moon, her beams were constantly eclipsed by driving clouds. Still there was light enough to guide us, and I extinguished the candle. As we reached the end of the passage the air of the Gagliarda grew more and more distinct.

  Our passage opened on to a broad landing with a balustrade, and from one side of it ran out the picture-gallery which you know.

  I looked at Constance significantly. It was evident that John was playing in this gallery. We crossed the landing, treading carefully and making no noise with our naked feet, for both of us had been too excited even to think of putting on shoes.

  We could now see the whole length of the gallery. My poor brother sat in the oriel window of which I have before spoken. He was sitting so as to face the picture of Adrian Temple, and the great windows of the oriel flung a strong light on him. At times a cloud hid the moon, and all was plunged in darkness; but in a moment the cold light fell full on him, and we could trace every feature as in a picture. He had evidently not been to bed, for he was fully dressed, exactly as he had left us in the drawing-room five hours earlier when Constance was weeping over his thoughtless words. He was playing the violin, playing with a passion and reckless energy which I had never seen, and hope never to see again. Perhaps he remembered that this spot was far removed from the rest of the house, or perhaps he was careless whether any were awake and listening to him or not; but it seemed to me that he was playing with a sonorous strength greater than I had thought possible for a single violin. There came from his instrument such a volume and torrent of melody as to fill the gallery so full, as it were, of sound that it throbbed and vibrated again. He kept his eyes fixed on something at the opposite side of the gallery; we could not indeed see on what, but I have no doubt at all that it was the portrait of Adrian Temple. His gaze was eager and expectant, as though he were waiting for something to occur which did not.

  I knew that he had been growing thin of late, but this was the first time I had realised how sunk were the hollows of his eyes and how haggard his features had become. It may have been some effect of moonlight which I do not well understand, but his fine-cut face, once so handsome, looked on this night worn and thin like that of an old man. He never for a moment ceased playing. It was always one same dreadful melody, the Gagliarda of the "Areopagita," and he repeated it time after time with the perseverance and apparent aimlessness of an automaton.

  He did not see us, and we made no sign, standing afar off in silent horror at that nocturnal sight. Constance clutched me by the arm: she was so pale that I perceived it even in the moonlight. "Sophy," she said, "he is sitting in the same place as on the first night when he told me how he loved me." I could answer nothing, my voice was frozen in me. I could only stare at my brother's poor withered face, realising then for the first time that he must be mad, and that it was the haunting of the Gagliarda that had made him so.

  We stood there I believe for half an hour without speech or motion, and all the time that sad figure at the end of the gallery continued its performance. Suddenly he stopped, and an expression of frantic despair came over his face as he laid down the violin and buried his head in his hands. I could bear it no longer. "Constance," I said, "come back to bed. We can do nothing," So we turned and crept away silently as we had come. Only as we crossed the landing Constance stopped, and looked back for a minute with a heart-broken yearning at the man she loved. He had taken his hands from his head, and she saw the profile of his face clear cut and hard in the white moonlight.

  It was the last time her eyes ever looked upon it.

  She made for a moment as if she would turn back and go to him, but her courage failed her, and we went on. Before we reached her room we heard in the distance, faintly but distinctly, the burden of the Gagliarda.

  CHAPTER XIIr />
  The next morning, my maid brought me a hurried note written in pencil by my brother. It contained only a few lines, saying that he found that his continued sojourn at Royston was not beneficial to his health, and had determined to return to Italy. If we wished to write, letters would reach him at the Villa de Angelis: his valet Parnham was to follow him thither with his baggage as soon as it could be got together. This was all; there was no word of adieu even to his wife.

  We found that he had never gone to bed that night. But in the early morning he had himself saddled his horse Sentinel and ridden in to Derby, taking the early mail thence to London. His resolve to leave Royston had apparently been arrived at very suddenly, for so far as we could discover, he had carried no luggage of any kind. I could not help looking somewhat carefully round his room to see if he had taken the Stradivarius violin. No trace of it or even of its case was to be seen, though it was difficult to imagine how he could have carried it with him on horseback. There was, indeed, a locked travelling-trunk which Parnham was to bring with him later, and the instrument might, of course, have been in that; but I felt convinced that he had actually taken it with him in some way or other, and this proved afterwards to have been the case.

  I shall draw a veil, my dear Edward, over the events which immediately followed your father's departure. Even at this distance of time the memory is too inexpressibly bitter to allow me to do more than briefly allude to them.

  A fortnight after John's departure, we left Royston and removed to Worth, wishing to get some sea-air, and to enjoy the late summer of the south coast. Your mother seemed entirely to have recovered from her confinement, and to be enjoying as good health as could be reasonably expected under the circumstances of her husband's indisposition. But suddenly one of those insidious maladies which are incidental to women in her condition seized upon her. We had hoped and believed that all such period of danger was already happily past; but, alas! it was not so, and within a few hours of her first seizure all realised how serious was her case. Everything that human skill can do under such conditions was done, but without avail. Symptoms of blood-poisoning showed themselves, accompanied with high fever, and within a week she was in her coffin.

  Though her delirium was terrible to watch, yet I thank God to this day, that if she was to die, it pleased Him to take her while in an unconscious condition. For two days before her death she recognised no one, and was thus spared at least the sadness of passing from life without one word of kindness or even of reconciliation from her unhappy husband.

  The communication with a place so distant as Naples was not then to be made under fifteen or twenty days, and all was over before we could hope that the intelligence even of his wife's illness had reached John. Both Mrs. Temple and I remained at Worth in a state of complete prostration, awaiting his return. When more than a month had passed without his arrival, or even a letter to say that he was on his way, our anxiety took a new turn, as we feared that some accident had befallen him, or that the news of his wife's death, which would then be in his hands, had so seriously affected him as to render him incapable of taking any action. To repeated subsequent communications we received no answer; but at last, to a letter which I wrote to Parnham, the servant replied, stating that his master was still at the Villa de Angelis, and in a condition of health little differing from that in which he left Royston, except that he was now slightly paler if possible and thinner. It was not till the end of November that any word came from him, and then he wrote only one page of a sheet of note-paper to me in pencil, making no reference whatever to his wife's death, but saying that he should not return for Christmas, and instructing me to draw on his bankers for any moneys that I might require for household purposes at Worth.

  I need not tell you the effect that such conduct produced on Mrs. Temple and myself; you can easily imagine what would have been your own feelings in such a case. Nor will I relate any other circumstances which occurred at this period, as they would have no direct bearing upon my narrative. Though I still wrote to my brother at frequent intervals, as not wishing to neglect a duty, no word from him ever came in reply.

  About the end of March, indeed, Parnham returned to Worth Maltravers, saying that his master had paid him a half-year's wages in advance, and then dispensed with his services. He had always been an excellent servant, and attached to the family, and I was glad to be able to offer him a suitable position with us at Worth until his master should return. He brought disquieting reports of John's health, saying that he was growing visibly weaker. Though I was sorely tempted to ask him many questions as to his master's habits and way of life, my pride forbade me to do so. But I heard incidentally from my maid that Parnham had told her Sir John was spending money freely in alterations at the Villa de Angelis, and had engaged Italians to attend him, with which his English valet was naturally much dissatisfied.

  So the spring passed and the summer was well advanced.

  On the last morning of July I found waiting for me on the breakfast-table an envelope addressed in my brother's hand. I opened it hastily. It only contained a few words, which I have before me as I write now. The ink is a little faded and yellow, but the impression it made is yet vivid as on that summer morning.

  "MY DEAREST SOPHY," it began, — "Come to me here at once, if possible, or it may be too late. I want to see you. They say that I am ill, and too weak to travel to England.

  "Your loving brother,

  "JOHN."

  There was a great change in the style, from the cold and conventional notes that he had hitherto sent at such long intervals; from the stiff "Dear Sophia" and "Sincerely yours" to which, I grieve to say, I had grown accustomed. Even the writing itself was altered. It was more the bold boyish hand he wrote when first he went to Oxford, than the smaller cramped and classic character of his later years. Though it was a little matter enough, God knows, in comparison with his grievous conduct, yet it touched me much that he should use again the once familiar "Dearest Sophy," and sign himself "my loving brother." I felt my heart go out towards him; and so strong is woman's affection for her own kin, that I had already forgotten any resentment and reprobation in my great pity for the poor wanderer, lying sick perhaps unto death and alone in a foreign land.

  I took his note at once to Mrs. Temple. She read it twice or thrice, trying to take in the meaning of it. Then she drew me to her and, kissing me, said, "Go to him at once, Sophy. Bring him back to Worth; try to bring him back to the right way."

  I ordered my things to be packed, determining to drive to Southampton and take train thence to London; and at the same time Mrs. Temple gave instructions that all should be prepared for her own return to Royston within a few days. I knew she did not dare to see John after her daughter's death.

  I took my maid with me, and Parnham to act as courier. At London we hired a carriage for the whole journey, and from Calais posted direct to Naples. We took the short route by Marseilles and Genoa, and travelled for seventeen days without intermission, as my brother's note made me desirous of losing no time on the way. I had never been in Italy before; but my anxiety was such that my mind was unable to appreciate either the beauty of the scenery or the incidents of travel. I can, in fact, remember nothing of our journey now, except the wearisome and interminable jolting over bad roads and the insufferable heat. It was the middle of August in an exceptionally warm summer, and after passing Genoa the heat became almost tropical. There was no relief even at night, for the warm air hung stagnant and suffocating, and the inside of my travelling coach was often like a furnace.

  We were at last approaching the conclusion of our journey, and had left Rome behind us. The day that we set out from Aversa was the hottest that I have ever felt, the sun beating down with an astonishing power even in the early hours, and the road being thick with a white and blinding dust. It was soon after midnight that our carriage began rattling over the great stone blocks with which the streets of Naples are paved. The suburbs that we at first passed through were, I remem
ber, in darkness and perfect quiet; but after traversing the heart of the city and reaching the western side, we suddenly found ourselves in the midst of an enormous and very dense crowd. There were lanterns everywhere, and interminable lanes of booths, whose proprietors were praising their wares with loud shouts; and here acrobats, jugglers, minstrels, black-vested priests, and blue-coated soldiers mingled with a vast crowd whose numbers at once arrested the progress of the carriage. Though it was so late of a Sunday night, all seemed here awake and busy as at noonday. Oil-lamps with reeking fumes of black smoke flung a glare over the scene, and the discordant cries and chattering conversation united in so deafening a noise as to make me turn faint and giddy, wearied as I already was with long travelling. Though I felt that intense eagerness and expectation which the approaching termination of a tedious journey inspires, and was desirous of pushing forward with all imaginable despatch, yet here our course was sadly delayed. The horses could only proceed at the slowest of foot-paces, and we were constantly brought to a complete stop for some minutes before the post-boy could force a passage through the unwilling crowd. This produced a feeling of irritation, and despair of ever reaching my destination; and the mirth and careless hilarity of the people round us chafed with bitter contrast on my depressed spirits. I inquired from the post-boy what was the origin of so great a commotion, and understood him to say in reply that it was a religious festival held annually in honour of "Our Lady of the Grotto." I cannot, however, conceive of any truly religious person countenancing such a gathering, which seemed to me rather like the unclean orgies of a heathen deity than an act of faith of Christian people. This disturbance occasioned us so serious a delay, that as we were climbing the steep slope leading up to Posilipo it was already three in the morning and the dawn was at hand.